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Keene) The Dark Hedges, 18th century, Ballymoney, Northern Ireland (Photo: Bryan C. (Incidentally, both form part of my family heritage.) Images: Inch Abbey, 1180s, Downpatrick, Northern Ireland (Photo: Bryan C. My research into the global Middle Ages has taken me to Ireland and Spain, where Game of Thrones has filmed. Just as our own world has changed radically in the year since the previous season, so too did the fictional worlds of Westeros and Essos witness significant political upheaval: a fraught election pitted mansplaining greatness over an attempt to shatter an iron ceiling for female rule an unstable imperialist state witnessed the obliteration of numerous competing factions a wealthy foreign power attempted to cut its ties with other realms proponents and opponents of defending a great wall clashed humanitarian rule was challenged in the face of a refugee crisis and commercialism and changes in the world’s climate were ruthlessly debated ( you can’t make this stuff up, right?). Martin’s A Song of Fire and Ice, appeals to our sensibility that the present mirrors the past, or the ways that propaganda promotes alternative views about current events (at times playing up, exaggerating, or overlooking prejudices or precedents from bygone eras).

This historical echo is but one way in which the HBO series, based on George R.R. The rhetoric of “enemies all around”-expressed in the words of fiery Queen Cersei Lannister-resonates across time. The penultimate season of Game of Thrones is here, and our medieval/modern episode recaps will return each week as well ( see previous seasons here). Whatever stands in our way, we will defeat it.” -Queen Cersei Lannister “Enemies to the east, enemies to the west, enemies to the south, enemies to the north.

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